Statement
I work with themes that often remain between the lines, the ones that are hard to voice aloud: vulnerability, unsettling uncertainty, the sense of one’s own values, the fragility of memory, the fine perception of reality, and a hidden sensitivity.
What fascinates me is the search for an invisible thread that binds everyday things to elusive meanings, found in packaging, notes, receipts, fragments of phrases, memories, and accidental images.
For each theme, I carefully choose the material, the form, and the medium. Not for beauty or composition, but to convey a state through its physical properties. I am drawn to how a material behaves in space: how it shifts, fades, or erodes. I often turn to tactile, fragile, and unstable structures: thin paper, wax, thermal paper, fabric, ceramics, pencils, heavily diluted pigments.
Color in my works often dissolves into shades, while composition and form remain minimal. It is a way of observing how the ordinary becomes significant, how an inner whisper can surface without being drowned out by external noise. I want to invite the viewer inside the work, to pause, to attune, to sense the fragility, instability, and transience of the moment.